On the diagram:
The actor positions himself on the corner-cross-field.
He manipulates and draws on the plexiglass surface (transparent handling surface) that stands vertically in front of him. On the back stands the frame “Manager No. 1”. The cast aluminum hut is clamped inside the frame. In the cast-aluminum hut there are Kleinodtotsods, such as beans, small aluminum sculptures, and small soft-knead objects.
The hut is charmingly furnished in the style of a housewife with a schißlaveng neurosis.
From the frame “Manager No. 1” slides a spigot with end points. It is clamped in the transparent handling surface. The transparent handling area is used for handycraft work.
The artist positions photos, articles, work objects, Kleinodtotsods objects, liquids, drawings, foils, etc. on the transparent handling surface. He conjures the four rays with material drippings to activate the elasticities of the sum-story-material on the transparent surface.
The four elasticities flow into the “Assistant No. 1″ to the final distributor. In addition to the final distributor in the “Assistant No. 1” the cast-aluminum-liquid-donor solidifies. The castaluminum-liquid-donor produces fluids that flow through the soft intestine into the transparent handling surface.
“Assistant No. 1” converts and redirects the elasticities. The elasticities flow towards the second handling area via red strings. It is called the result paddock. It contains the final results. The final results show perfect entropy.
The EX-UN-order is reflected by photos, drawings, Kleinodtotsod objects, etc.
During the opening I appear as an actor and explain the diagram and model result memories with modeling clay as gifts to the recipients/visitors.

John Bock (born 1965 in Gribbohm, Germany) is a sculptor and multimedia artist who lives and works in Berlin. He studied at the Hochschule für Bildende Künste (HfBK) in Hamburg in 1997 under Franz Erhard Walther. His work is included in the public collections of the Carnegie Museum, Pittsburgh; the Solomon R. Guggenheim Museum, New York; Museum of Contemporary Art, Los Angeles; the Louisiana Museum, Copenhagen; Museum Ludwig, Cologne; the Museum of Modern Art, New York; the Museum für Modern Kunst, Frankfurt; Museum Boijmans Van Beuningen, Rotterdam; Tate Modern, London; and the Walker Art Center, Minneapolis, among many others. Recent solo exhibitions include: Peer Gynt, stage production at Schaubühne am Lehniner Platz, Berlin (2020); LiquiditätsAuraAroma, Kunsthalle Mannheim, Mannheim (2019); The Next Quasi-Complex, Prada Foundation, Milan, Italy (2018); Dead + Juicy, The Contemporary Austin, Austin (2017); and In the Moloch of the Presence of Being, Berlinische Galerie, Berlin (2017). He has participated in major international exhibitions including the Salzburger Festspiele, Salzburg (2020); Venice Biennale (2013 and 2005); Performa, New York (2007); Lyon Biennale, Lyon (2005); Carnegie International, Pittsburgh, (2004); and Documenta 11, Kassel (2002).